
Edward Rechlin: First Concert Organist of the Missouri Synod
Rechlin’s professional life was spent in the service of the Gospel through performance rather than through composition, teaching or parish ministry.
Rechlin’s professional life was spent in the service of the Gospel through performance rather than through composition, teaching or parish ministry.
Walter Wismar’s writing, conducting and leadership modeled the fullest vocation of a Lutheran Kantor.
Martin Lochner continued his family’s legacy of stewarding the rich musical heritage of the Lutheran church as he taught generations of church musicians.
Through his organ design and promotion of the ancient, rhythmic style of chorale singing, through his teaching of singing, theory and organ, Brauer conveyed high ideals of sacred music to hundreds of students.
When pastors lead by example, they demonstrate the value of music in worship and instruction.
Walk step by step through Bach’s St. John Passion, an intricate musical rendition of Christ’s arrest, trial, crucifixion and burial.
These situations may seem harmless, but they are possibly all violations of copyright law.
The Christmas canticles — the Magnificat, Benedictus, Gloria in Excelsis and Nunc Dimittis — each point to Christ in a unique way, and remind us of the gift of His nativity all year long.
The December issue of The Lutheran Witness discusses how the Christmas canticles — the Magnificat, Benedictus, Gloria in Excelsis and Nunc Dimittis — point to Christ year-round.
The Christian church has now taken up Simeon’s song as her own, and rightly so. For, as with Simeon, we have also seen and rejoice in the salvation of our God.